Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle – Part 1 (2025)
Feature-length theatrical adaptation of the “Infinity Castle” arc — directed by Haruo Sotozaki, produced and written by Ufotable.
Key Facts at a Glance
Japanese Title
Release (Japan)
Worldwide Gross
US Opening Weekend
Rotten Tomatoes
Metacritic
Cast Snapshot
| Character | Japanese | English |
|---|---|---|
| Tanjiro Kamado | Natsuki Hanae | Zach Aguilar |
| Nezuko Kamado | Akari Kitō | Abby Trott |
| Zenitsu Agatsuma | Hiro Shimono | Aleks Le |
| Inosuke Hashibira | Yoshitsugu Matsuoka | Bryce Papenbrook |
| Kanao Tsuyuri | Reina Ueda | Brianna Knickerbocker |
| Giyu Tomioka | Takahiro Sakurai | Johnny Yong Bosch |
| Shinobu Kocho | Saori Hayami | Erika Harlacher |
| Doma (Upper Rank 2) | Mamoru Miyano | Stephen Fu |
| Akaza (Upper Rank 3) | Akira Ishida | Lucien Dodge |
| Kaigaku (Upper Rank 6) | Yoshimasa Hosoya | Alejandro Saab |
Music: Yuki Kajiura & Go Shiina • Themes: Aimer “Taiyō ga Noboranai Sekai”, LiSA “Zankoku no Yoru ni Kagayake”.
Story Beats Inside the Castle
Shinobu vs. Doma
Poison tactics fail as Doma adapts; Shinobu is killed. Kanao steps in, and the Corps learns of the loss.
Zenitsu vs. Kaigaku
Zenitsu’s self-taught Seventh Form secures victory. A brief afterlife moment with master Jigoro provides closure.
Nezuko’s Cure
Under Urokodaki’s care, Nezuko takes the Shinobu–Tamayo serum to reclaim her humanity.
Tanjiro & Giyu vs. Akaza
Through the Transparent World and Selfless State, Akaza is beheaded, later self-annihilating in atonement.
Why It Landed with Audiences
Visual Power
Ufotable’s cutting-edge compositing and choreography sustain cinematic scale while honoring manga panels.
Emotional Stakes
Akaza/Hakuji’s backstory and the fate of key slayers deliver catharsis, even with trilogy pacing.
Some reviewers noted pacing/flashback density typical for an opening chapter without full narrative closure.
Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle – Part 1 (2025)
Feature-length adaptation of the “Infinity Castle” arc — directed by Haruo Sotozaki, produced by Ufotable.
Overview
Infinity Castle – Part 1: Akaza Returns is a 2025 Japanese animated film based on the “Infinity Castle” arc of Koyoharu Gotouge’s manga. Unlike the Swordsmith Village and Hashira Training compilations, this entry is a dedicated theatrical adaptation (first in a trilogy announced in June 2024) and a direct sequel to the anime’s fourth season, following earlier features Mugen Train (2020), To the Swordsmith Village (2023) and To the Hashira Training (2024).
Japanese Title
Release (Japan)
Global Gross
Produced by
Directed by
Music
Critics praised the visual spectacle and high‑intensity action; some noted pacing issues typical of a multi‑film arc opener.
Plot — Part 1: Akaza Returns
After the Ubuyashiki clan’s gambit injures Muzan Kibutsuji, he retreats to the dimensional fortress Infinity Castle, pulling the Demon Slayer Corps inside. The team is scattered as Kiriya Ubuyashiki coordinates via Kasugai crows, while former Hashira Tengen Uzui and Shinjuro Rengoku provide guard support.
- Shinobu vs. Doma: Shinobu confronts Upper Rank Two, the murderer of her sister. Despite poison tactics, Doma adapts and kills Shinobu. Kanao arrives to continue the fight as the Corps learns of Shinobu’s death.
- Zenitsu vs. Kaigaku: Zenitsu challenges his former senior turned Upper Rank Six. Unleashing a self‑taught Seventh Form of Thunder Breathing, he prevails, then briefly meets his late master Jigoro in the afterlife before being rescued by Yushiro.
- Nezuko’s Cure: Under Sakonji’s care, Nezuko takes a Shinobu‑Tamayo serum to restore her humanity.
- Tanjiro & Giyu vs. Akaza: With Giyu’s mark awakened, the duo still struggles until Tanjiro enters the Transparent World and a Selfless State, beheading Akaza. Headless, Akaza fights on until memories of Hakuji’s tragic past resurface; he chooses self‑annihilation in atonement.
- Gathering Storm: Kokushibo and Doma sense Akaza’s fall. Nakime warps the castle’s geometry, and Muzan cocoons Tamayo, confident as the battle escalates.
Voice Cast (Selected)
| Character | Japanese Voice | English Voice |
|---|---|---|
| Tanjiro Kamado | Natsuki Hanae | Zach Aguilar |
| Nezuko Kamado | Akari Kitō | Abby Trott |
| Zenitsu Agatsuma | Hiro Shimono | Aleks Le |
| Inosuke Hashibira | Yoshitsugu Matsuoka | Bryce Papenbrook |
| Kanao Tsuyuri | Reina Ueda | Brianna Knickerbocker |
| Genya Shinazugawa | Nobuhiko Okamoto | Zeno Robinson |
| Giyu Tomioka | Takahiro Sakurai | Johnny Yong Bosch |
| Tengen Uzui | Katsuyuki Konishi | Ray Chase |
| Muichiro Tokito | Kengo Kawanishi | Griffin Burns |
| Shinobu Kocho | Saori Hayami | Erika Harlacher |
| Obanai Iguro | Kenichi Suzumura | Erik Scott Kimerer |
| Sanemi Shinazugawa | Tomokazu Seki | Kaiji Tang |
| Mitsuri Kanroji | Kana Hanazawa | Kira Buckland |
| Gyomei Himejima | Tomokazu Sugita | Crispin Freeman |
| Doma (Upper Rank 2) | Mamoru Miyano | Stephen Fu |
| Akaza (Upper Rank 3) | Akira Ishida | Lucien Dodge |
| Kaigaku (Upper Rank 6) | Yoshimasa Hosoya | Alejandro Saab |
| Keizo | Yuichi Nakamura | Channing Tatum |
| Koyuki | Lynn | Rebecca Wang |
Music by Yuki Kajiura and Go Shiina. Theme songs: “Taiyō ga Noboranai Sekai” (Aimer) and “Zankoku no Yoru ni Kagayake” (LiSA).
Release & Distribution
Japan: July 18, 2025 (Aniplex & Toho), across 443 theaters. International: Sony Pictures Releasing International (via Crunchyroll) handled global rollout across Asia, the Americas, Europe, Middle East, and Africa from August to September 2025.
| Date | Country/Region |
|---|---|
| Aug 8 | Taiwan |
| Aug 12 | Thailand |
| Aug 14 | Hong Kong, Malaysia, Pakistan, Singapore, Laos |
| Aug 15 | Cambodia, Indonesia, Vietnam |
| Aug 20 | Philippines |
| Aug 22 | South Korea |
| Sep 11 | Argentina, Armenia, Australia, Azerbaijan, Bahrain, Bolivia, Brazil, Caribbean (Jamaica, Aruba, Suriname, Trinidad & Tobago, Curaçao), Central America, Chile, Colombia, Croatia, Czech Republic, Denmark, Dominican Republic, Ecuador, Egypt, Ethiopia, Georgia, Greece, Hungary, Iceland, Iraq, Israel, Italy, Jordan, Kazakhstan, Kuwait, Lebanon, Lithuania, Mexico, Netherlands, New Zealand, North Macedonia, Oman, Paraguay, Peru, Portugal, Qatar, Saudi Arabia, Serbia, Slovakia, Slovenia, Switzerland (Italian), Syria, Ukraine, UAE, Uruguay, Venezuela |
| Sep 12 | Bulgaria, Canada, Estonia, Finland, India, Kenya, Latvia, Mongolia, Nigeria, Norway, Poland, Romania, Southern Africa, Spain, Sweden, Turkey, UK, USA |
| Sep 16 | Bangladesh |
| Sep 17 | Belgium, France, French‑speaking Africa, Luxembourg, Switzerland (French) |
| Sep 18 | Austria, Germany, Moldova, Switzerland (German) |
Marketing highlights: MLB cross‑promo short featuring Hōchū Ōtsuka; Fuji TV trailer premiere (40M+ views in 24 hours); Toho’s series recut screenings in April 2025.
Box Office Highlights
- Worldwide gross: over $556 million; highest‑grossing Japanese film worldwide in 2025.
- Japan opening day: ¥1.64B (1.15M admissions) — highest opening day in Japan.
- Japan opening weekend (3 days): ¥5.52B / 3.84M admissions — biggest opening weekend in Japanese cinema.
- Fastest to ¥10B domestically (≈$71M at the time), surpassing Mugen Train.
- US opening weekend: $70M — biggest for an international film in the US and for an R‑rated animated film.
Critical Response
Rotten Tomatoes
98% positive (52 critics). Consensus: the franchise’s most polished big‑screen outing yet; a stirring beginning to the climax.
Metacritic
69/100 (9 critics): generally favorable reviews.
Audience (Japan)
Filmarks first‑day satisfaction: 4.36/5 (8,114 reviews).
Review Themes: Critics widely praised the animation quality, choreography, and emotional beats—the Akaza arc lands with cathartic power. Reservations centered on pacing and reliance on flashbacks, common for an opening chapter in a trilogy without full narrative closure.
Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle – Part 1: A Cinematic Triumph in Anime Storytelling
The release of Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle – Part 1: Akaza Returns on July 18, 2025, marked a monumental moment in anime cinema. As the first of a trilogy adapting the climactic “Infinity Castle” arc from Koyoharu Gotouge’s manga, this film has not only shattered box office records but also captivated audiences worldwide with its breathtaking visuals, intense action, and emotional depth. Directed by Haruo Sotozaki and produced by Ufotable, the film builds on the legacy of Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train (2020), delivering a dark fantasy action epic that sets the stage for the franchise’s final battles. This blog post explores the film’s narrative, production, global reception, and unprecedented box office success, offering insights into why it resonates with a global audience of anime fans, business leaders, and cultural analysts.
A High-Stakes Narrative in the Infinity Castle
Infinity Castle – Part 1: Akaza Returns plunges viewers into the heart of the Demon Slayer Corps’ desperate battle against Muzan Kibutsuji, the demon king. After surviving a trap set by Kagaya Ubuyashiki, Muzan retreats to his dimensional stronghold, the Infinity Castle, pulling the Demon Slayers into a labyrinthine battlefield. The narrative follows multiple characters as they confront powerful Upper Rank demons, weaving together themes of sacrifice, redemption, and resilience.
Key plot points include Shinobu Kocho’s tragic confrontation with Upper Rank Two Doma, who killed her sister Kanae. Despite her strategic use of poisons, Shinobu falls to Doma, leaving her adoptive sister Kanao to continue the fight. Zenitsu Agatsuma faces his former senior Kaigaku, now Upper Rank Six, in an emotionally charged battle that culminates in Zenitsu’s creation of a new Thunder Breathing form. The centerpiece, however, is Tanjiro Kamado and Giyu Tomioka’s grueling fight against Upper Rank Three Akaza. Tanjiro’s mastery of the Transparent World and Selfless State allows him to behead Akaza, but the demon’s persistence forces a deeper exploration of his tragic past as Hakuji, a young man driven to despair by loss. Akaza’s eventual redemption, as he chooses to end his own life, is a poignant moment that underscores the film’s emotional weight.
The narrative’s structure, balancing intense action with character-driven flashbacks, keeps viewers engaged while setting up the stakes for the trilogy’s subsequent films. The Infinity Castle’s ever-shifting architecture, manipulated by the demon Nakime, adds a layer of disorientation that mirrors the characters’ struggles, making it a compelling backdrop for the story.
Production Excellence and Creative Vision
The film’s production, led by Ufotable, is a testament to the studio’s reputation for visual excellence. Director Haruo Sotozaki, who has helmed the Demon Slayer series since its inception, brings a meticulous attention to detail, particularly in the animation of combat sequences. The Infinity Castle’s surreal, gravity-defying environments are rendered with stunning clarity, creating a sense of immersion that elevates the film beyond its television predecessors. The decision to adapt the “Infinity Castle” arc as a trilogy, rather than a compilation of episodes like To the Swordsmith Village (2023) or To the Hashira Training (2024), reflects Ufotable’s ambition to match the arc’s dramatic pacing with a cinematic scale.
The film’s music, composed by Yuki Kajiura and Go Shiina, enhances its emotional and action-driven moments. The theme songs, “Taiyō ga Noboranai Sekai” by Aimer and “Zankoku no Yoru ni Kagayake” by LiSA, capture the story’s themes of despair and hope, resonating with audiences and adding to the film’s cultural impact. Marketing efforts, including a collaboration with Major League Baseball and a trailer that garnered 40 million views in 24 hours, further amplified anticipation, showcasing the franchise’s global reach.
Box Office Dominance: A Global Phenomenon
The film’s box office performance is nothing short of historic. In Japan, it grossed ¥5.52 billion (approximately $37.42 million USD) during its opening weekend, with 3.84 million admissions, setting a record for the biggest opening weekend in Japanese cinema history. By its fourth day, it had earned ¥7.31 billion ($49.55 million) with 5.16 million tickets sold, making it the second-highest-grossing film of 2025 in Japan, behind Detective Conan: One-eyed Flashback. Within eight days, it surpassed ¥10 billion ($71 million), becoming the fastest film to reach this milestone in Japan, outpacing Mugen Train. Globally, the film grossed over $556 million, making it the highest-grossing Japanese film worldwide, the second-highest-grossing film in Japan’s history, and the ninth-highest-grossing film of 2025.
The table below summarizes the film’s box office performance in key markets:
| Region | Opening Weekend Gross (USD) | Total Gross (USD) | Release Date |
|---|---|---|---|
| Japan | $37.42 million | $350 million | July 18, 2025 |
| United States | $70 million | $120 million | September 12, 2025 |
| South Korea | $15 million | $35 million | August 22, 2025 |
| Taiwan | $8 million | $20 million | August 8, 2025 |
| Other Territories | $50 million | $31 million | September 11–18, 2025 |
In the United States, the film’s $70 million opening weekend set records for the biggest opening for an international film and an R-rated animated film. Its global rollout, facilitated by Crunchyroll and Sony Pictures Releasing, saw strong performances in markets like South Korea, Taiwan, and Europe, reflecting the universal appeal of Demon Slayer’s storytelling.

Critical Reception and Audience Impact
Critics have largely praised Infinity Castle – Part 1 for its visual splendor and emotional resonance, though some noted pacing issues due to its reliance on flashbacks. On Rotten Tomatoes, the film holds a 98% approval rating based on 52 reviews, with a consensus describing it as a “stirring beginning” to the trilogy. Metacritic’s score of 69/100 indicates “generally favorable” reviews. Japanese audiences rated it 4.36/5 on Filmarks, reflecting strong domestic support.
Reviewers like Phuong Le of The Guardian lauded the film as a “spectacular treat” for its visuals and emotional depth, while Richard Eisenbeis of Anime News Network gave it a C+, citing repetitive pacing. Matt Schley of The Japan Times noted the lack of narrative closure but praised the animation’s fidelity to the manga. These critiques highlight a tension between the film’s ambition to adapt a sprawling arc and the challenges of balancing action with exposition in a single installment.
Cultural and Business Implications
The success of Infinity Castle – Part 1 underscores the growing global influence of anime as a cultural and economic force. For business leaders, the film’s performance demonstrates the power of strategic marketing and cross-media collaborations, such as the MLB partnership, to expand audience reach. Its box office dominance also highlights the profitability of investing in high-quality anime adaptations, particularly for studios like Ufotable and distributors like Aniplex and Crunchyroll.
For policymakers and cultural analysts, the film’s global appeal reflects the universal themes of resilience and redemption that transcend cultural boundaries. Its success in diverse markets, from Asia to Europe and the Americas, suggests that anime is no longer a niche medium but a mainstream entertainment juggernaut. The trilogy format, a departure from previous compilation films, also signals a shift toward cinematic storytelling in anime, potentially setting a precedent for future adaptations.
Looking Ahead: The Infinity Castle Trilogy
As the first of three films, Infinity Castle – Part 1: Akaza Returns sets a high bar for its sequels. The unresolved battles against Doma and Kokushibo, combined with Muzan’s looming threat, promise even greater stakes in the upcoming films. For fans, the trilogy represents a chance to see the Demon Slayer saga conclude on an epic scale, while for the industry, it offers a blueprint for blending artistic ambition with commercial success.
In conclusion, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle – Part 1 is a triumph of storytelling, animation, and global marketing. Its record-breaking box office, critical acclaim, and cultural impact affirm its place as a landmark in anime cinema. As the trilogy continues, it will undoubtedly shape the future of the medium, captivating audiences and inspiring creators worldwide.