Pretty Woman (1990): Iconic Dialogues, Powerful Quotes, and Unforgettable Facts

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Written By moviesphilosophy

🎙️🎬Full Movie Recap

“Pretty Woman,” a romantic comedy directed by Garry Marshall, is a modern-day Cinderella story that captures the transformation of a young woman and the unexpected romance that blossoms between unlikely companions. The film opens with Edward Lewis, a wealthy and successful businessman, played by Richard Gere, who is dealing with a recent breakup. He finds himself in unfamiliar territory when he gets lost in Los Angeles’ Hollywood district. Enter Vivian Ward, portrayed by Julia Roberts, a vivacious and street-smart prostitute who offers to help him navigate the streets for a fee. This chance meeting sets the stage for the central storyline, where two people from vastly different worlds collide, sparking a relationship that challenges their initial perceptions and expectations.

Edward, intrigued by Vivian’s charm and carefree demeanor, proposes an unusual arrangement: he hires her to be his companion for a week while he conducts business in the city. As they navigate the glitzy world of high society, Vivian undergoes a remarkable transformation, thanks to Edward’s resources and affection. She receives a stunning makeover that not only alters her appearance but also boosts her confidence, allowing her to blend seamlessly into Edward’s world. The iconic shopping scene on Rodeo Drive becomes a pivotal moment in the film, showcasing Vivian’s evolution and newfound self-assurance. The film cleverly uses fashion and luxury as symbols of change, highlighting how external transformations can sometimes lead to internal growth.

Throughout the movie, the chemistry between Edward and Vivian is undeniable, with both characters experiencing personal growth and introspection. Edward, initially portrayed as a cold and calculating businessman, begins to question his own values and priorities as he spends more time with Vivian. He discovers the emptiness in his life and starts to appreciate the simple joys that he had long overlooked. Conversely, Vivian, who initially seems resigned to her circumstances, starts envisioning a different future for herself, inspired by the kindness and respect that Edward shows her. Their relationship challenges societal norms and expectations, as they both learn to see beyond surface-level judgments and embrace the possibilities of love and redemption.

The supporting characters in “Pretty Woman” also play crucial roles in shaping the narrative and adding depth to the storyline. Hector Elizondo shines as Barney Thompson, the hotel manager, who unexpectedly becomes Vivian’s ally and mentor. His discreet guidance and genuine kindness help Vivian navigate the complexities of high society, reinforcing the film’s theme of unexpected friendships. Meanwhile, Jason Alexander’s portrayal of Philip Stuckey, Edward’s unscrupulous lawyer, provides a contrast to Edward’s evolving character, embodying the ruthless side of the business world that Edward is slowly distancing himself from. These interactions serve to highlight the transformative power of kindness and the impact that genuine connections can have on individuals.

As the movie reaches its climax, Edward and Vivian’s relationship faces a critical test, forcing both characters to confront their fears and insecurities. The culmination of their journey is marked by a dramatic gesture that echoes the fairy-tale elements woven throughout the film. Edward, realizing his feelings for Vivian, overcomes his fear of heights and climbs up the fire escape to her apartment, symbolizing his willingness to embrace vulnerability and love. This iconic ending, accompanied by the sweeping score, reinforces the timeless message that love knows no boundaries and can transcend social barriers. “Pretty Woman” remains a beloved classic, not only for its enchanting story and memorable performances but also for its exploration of personal growth, acceptance, and the transformative power of love.

🎥🔥Best Dialogues and Quotes

“I want the fairy tale.”

This quote encapsulates the yearning for a perfect life and love story. It reflects the human desire for dreams and aspirations to come true, despite the harsh realities of life.

“You and I are such similar creatures, Vivian. We both screw people for money.”

This dialogue highlights the transactional nature of relationships and work, provoking a reflection on how society values and commodifies personal and professional interactions.

“In case I forget to tell you later, I had a really good time tonight.”

This quote emphasizes living in the moment and appreciating experiences as they happen, reminding us to express gratitude and enjoyment in real-time.

“Vivian: People put you down enough, you start to believe it. Edward: I think you are a very bright, very special woman.”

Here, the dialogue addresses self-esteem and the impact of others’ perceptions, while also showing the transformative power of positive reinforcement and genuine appreciation.

“The bad stuff is easier to believe. You ever notice that?”

This quote touches on the human tendency to focus on negativity and self-doubt, urging us to challenge these thoughts and embrace positivity and self-worth instead.

“Welcome to Hollywood! What’s your dream?”

This line captures the allure and mystique of chasing dreams, especially in a place synonymous with fame and fortune, while also hinting at the disparity between dreams and reality.

“I’m gonna treat you so nice, you’re never gonna let me go.”

This dialogue reflects the power of kindness and attention in relationships, suggesting that genuine care and affection can be binding forces.

“I appreciate this whole seduction thing you’ve got going on here, but let me give you a tip: I’m a sure thing.”

This quote reveals confidence and self-awareness, highlighting the importance of honesty and directness in interactions and relationships.

“I say who, I say when, I say who.”

This statement is about empowerment and control over one’s own life and body, advocating for personal agency and decision-making.

“I am not a toy. I am not something to be played with.”

This dialogue reinforces the theme of self-respect and dignity, emphasizing the need to be treated as a person of value and not an object.

“Take care of you.”

This simple yet profound advice underscores the importance of self-care and prioritizing one’s well-being in the journey of life.

“You could be so much more.”

This encouragement speaks to potential and self-improvement, motivating individuals to strive for personal growth and fulfillment beyond their current circumstances.

“It’s just geography.”

This quote suggests that physical distance or location should not be a barrier to relationships or personal success, advocating for flexibility and adaptability in life’s pursuits.

“I’m not like other girls.”

This line reflects individuality and the courage to embrace one’s uniqueness, challenging societal norms and expectations.

“Stores are never nice to people. They’re nice to credit cards.”

This observation critiques materialism and superficiality, highlighting the prioritization of wealth and status over genuine human connection.

“I’m gonna be in town until Sunday, how about you use that time to get to know me?”

This statement encourages taking opportunities to build relationships and understand others, promoting open-mindedness and exploration.

“You can’t charge me for directions.”

This humorous line points out the absurdity of commercializing every aspect of life, advocating for the value of simple human kindness and assistance.

“I’ve never had anyone make me feel as cheap as you did today.”

This dialogue addresses the emotional impact of words and actions, emphasizing the importance of treating others with respect and sensitivity.

“I don’t want you to go away. I want you to stay the night with me.”

This expression of vulnerability and desire shows the need for genuine connection and companionship beyond transactional interactions.

“I think we both know that’s not true.”

This statement challenges dishonesty and self-deception, advocating for truthfulness and authenticity in personal and professional relationships.

🎬🔍 Behind-the-Scenes Facts

Fact 1: Originally a Dark Drama

“Pretty Woman” was initially conceived as a dark drama about prostitution in Los Angeles. The original script was titled “3000” and had a much grittier tone.

Fact 2: Julia Roberts Was Not the First Choice

Several actresses, including Molly Ringwald and Meg Ryan, were considered for the role of Vivian before Julia Roberts was cast.

Fact 3: The Necklace Scene Was Improvised

The famous scene where Richard Gere closes the jewelry box on Julia Roberts’ fingers was not scripted. It was a playful moment that director Garry Marshall decided to keep in the film.

Fact 4: Richard Gere Played the Piano

Richard Gere not only played the piano in the hotel scene but also composed the piece himself, showcasing his musical talent.

Fact 5: The Film’s Iconic Red Dress Was Almost Black

The iconic red dress that Vivian wears to the opera was originally supposed to be black, but costume designer Marilyn Vance convinced the producers to go with red for more impact.

Fact 6: Disney Produced the Film

Despite its adult themes, “Pretty Woman” was produced by Disney’s Touchstone Pictures, marking a significant departure from Disney’s typical family-friendly content.

Fact 7: The Role of Edward Almost Went to Al Pacino

Al Pacino was offered the role of Edward Lewis but turned it down. Richard Gere eventually accepted the role, becoming iconic in the process.

Fact 8: The Ending Was Originally Different

In the original script, the story concluded with Edward and Vivian parting ways, without the fairy-tale ending. Test audiences preferred the happy ending, leading to a rewrite.

Fact 9: Garry Marshall’s Family Cameo

Director Garry Marshall’s family made cameo appearances in the film. His wife is in the opera scene, and his daughter is a tourist in the hotel lobby.

Fact 10: Julia Roberts’ Laughter in the Bathtub Scene

The scene where Vivian laughs uncontrollably while watching “I Love Lucy” was genuine. Julia Roberts found the scene so funny that her laughter was real and unscripted.

🎭🍿 Hidden Easter Eggs & Trivia

Pretty Woman, a romantic comedy that became an iconic film of the 1990s, holds a treasure trove of behind-the-scenes secrets that many fans might not be aware of. Originally, the script was much darker and titled “3,000,” a reference to the amount of money Richard Gere’s character pays Julia Roberts’ character for a week of her company. The film was initially conceived as a gritty cautionary tale about class and prostitution in Los Angeles. It wasn’t until Disney executives, along with director Garry Marshall, saw potential in a lighter, more fairy-tale approach that Pretty Woman began to transform into the romantic comedy we know today. This pivot not only altered the tone but also influenced the film’s ultimate success, turning it into a modern Cinderella story.

In terms of casting, the production of Pretty Woman was a whirlwind of possibilities before settling on its now-iconic leads. Julia Roberts wasn’t the first choice for the role of Vivian Ward. Actresses like Molly Ringwald, Meg Ryan, and Michelle Pfeiffer were considered before Roberts, then relatively unknown, landed the part. Her chemistry with Richard Gere, who had initially turned down the role of Edward Lewis, was undeniable and played a critical role in bringing the characters to life. Gere, persuaded by Marshall and Roberts during a last-minute meeting, eventually agreed to join the film, completing the casting of one of cinema’s most memorable couples.

Pretty Woman is sprinkled with delightful easter eggs and trivia that enhance its charm. For instance, the famous necklace scene was improvised. The jewelry box snap, which caused Julia Roberts to burst into genuine laughter, was initially a playful prank by Gere that director Garry Marshall loved so much he decided to keep it in the film. Moreover, the hotel lobby featured in the movie is the real-life Beverly Wilshire Hotel, adding a touch of authenticity and glamour. Fans might also notice that Hector Elizondo, who plays the kind-hearted hotel manager, is a staple in Marshall’s films, appearing in every single one of them until Marshall’s passing in 2016.

Analyzing the psychology behind Pretty Woman reveals layers of social commentary and character development that might not be immediately apparent. The film cleverly addresses themes of identity, transformation, and societal expectations, with Vivian’s character arc illustrating the tension between self-acceptance and external validation. Her journey from a street-smart, independent woman to someone who confronts her own vulnerabilities and desires challenges the audience to reflect on the power dynamics within relationships and the influence of wealth and class. Edward’s character, on the other hand, experiences a gradual transformation through his interaction with Vivian, highlighting themes of redemption and emotional growth.

The impact and legacy of Pretty Woman extend far beyond its initial release. The film not only solidified Julia Roberts’ status as a Hollywood superstar but also redefined the romantic comedy genre. Its success paved the way for a slew of romantic comedies throughout the 1990s and 2000s, inspiring countless filmmakers to explore similar themes of love and transformation. Additionally, the movie’s soundtrack, featuring the unforgettable “Oh, Pretty Woman” by Roy Orbison, became an integral part of its appeal, helping to popularize the concept of a film’s music being as iconic as its storyline and characters.

Even today, Pretty Woman continues to resonate with audiences around the world, maintaining its status as a beloved classic. Its enduring popularity has led to adaptations, including a Broadway musical that debuted in 2018, ensuring that its legacy lives on across different mediums. The film’s ability to balance romance, humor, and social commentary has allowed it to remain relevant, appealing to new generations of viewers who discover its magic. Pretty Woman serves as a testament to the timeless allure of fairy-tale romance, reminding us all of the transformative power of love and the importance of staying true to oneself.

🍿⭐ Reception & Reviews

Pretty Woman (1990): Reception and Reviews

A Cinderella Story for the Modern Era: *Pretty Woman* (1990), directed by Garry Marshall and starring Julia Roberts and Richard Gere, became a box office phenomenon and a cultural touchstone, although its initial reception was mixed.
Critical Reception:
  • Initial Divide: Critics were largely divided. While some praised the film’s charm, humor, and the undeniable chemistry between Roberts and Gere, others criticized it for its sanitized portrayal of prostitution, its simplistic fairy-tale narrative, and its potential to romanticize exploitation.
  • Romance and Chemistry: Many lauded the film’s romantic elements and the undeniable chemistry between Roberts and Gere. Their performances were seen as instrumental to the film’s success, elevating the somewhat predictable plot.
  • Simplistic Narrative & “Escapist Fantasy”: A frequent criticism revolved around the film’s perceived naivete and the unrealistic depiction of Vivian’s (Roberts) transformation. Critics like Roger Ebert noted the film’s lighthearted approach glossed over the complex realities of prostitution. Some viewed it as a purely escapist fantasy, lacking depth or social commentary.
  • Feminist Critique: The film also faced criticism from a feminist perspective for its potential to glamorize prostitution and reinforce stereotypical gender roles. Critics questioned whether Vivian’s agency was truly empowering, or simply a different form of control.
Audience Response:
  • Box Office Smash: Despite critical reservations, *Pretty Woman* was a massive commercial success, grossing over $463 million worldwide on a budget of $14 million. It was the third highest-grossing film of 1990.
  • Cult Following: The film resonated deeply with audiences, particularly women, who were drawn to its romantic narrative, the Cinderella-esque transformation, and Roberts’ charismatic performance. It solidified Roberts’ status as a major star and developed a strong cult following.
  • Enduring Appeal: *Pretty Woman* remains a popular film, frequently broadcast on television and available for streaming. Its enduring appeal suggests that audiences continue to find enjoyment in its lighthearted romanticism and the on-screen chemistry of its leads.
Notable Reviews:
  • Roger Ebert (Chicago Sun-Times): Gave the film 2.5 out of 4 stars. He acknowledged the movie’s entertainment value but noted its simplistic portrayal of complex issues and its reliance on the Cinderella formula.
  • Vincent Canby (The New York Times): Praised the performances of Roberts and Gere but criticized the film’s plot as being too predictable and simplistic. He called it “a romantic comedy with a message that isn’t worth delivering.”
  • Peter Travers (Rolling Stone): Was more positive, calling it “a genuine crowd-pleaser” and praising Roberts’ performance as “luminous.” He acknowledged the film’s flaws but argued that its charm and entertainment value outweighed its shortcomings.
Awards:
  • Academy Awards: Julia Roberts was nominated for Best Actress.
  • Golden Globe Awards: Julia Roberts won the Golden Globe Award for Best Actress – Musical or Comedy. The film was also nominated for Best Motion Picture – Musical or Comedy.
  • BAFTA Awards: The film was nominated for Best Original Screenplay.
In Summary:

*Pretty Woman* is a film of contrasts. While critically divisive due to its fairytale narrative and sanitized portrayal of prostitution, it became a colossal box office success, launched Julia Roberts to superstardom, and continues to be a beloved romantic comedy for many. Its enduring appeal lies in the chemistry between its leads, its aspirational transformation storyline, and its lighthearted entertainment value, despite criticisms of its superficiality and potential for problematic interpretations.

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